Showing posts with label tate modern. Show all posts
Showing posts with label tate modern. Show all posts

Wednesday, July 25, 2007

I Can Bite You

Museum gift shops are usually worth a look, and while I wasn't overly impressed with the Tate Modern's (yes they had plenty of art books, but the rest was ho-hum), I did make a complete find: greeting cards by a London artist, Rachel Ortas. The creature (above) in most of her cards is Ai Ai. I found her web site, and I was hoping that on it there would be t-shirts for sale, but no such luck. I did email her to ask about other merchandise, and she was kind enough to send me a story book about Ai Ai.
Since I feel that I truly need a shirt with Ai Ai saying, "I Can Bite You" and one with the little girl (above) saying, "You Are The Monster," I may resort to creating my own.

Her cards also remind me of Brendan Monroe's Sour work, which I saw when it was part of a group show at GR2 in Los Angeles in 2004. This series includes paintings, sculptures, books/zines (I have two) and vinyl dolls. "The actual SOUR comes from the idea of a fruit or a pod coming alive and creating havoc and trouble," describes Monroe. Ai Ai seems to be creating havoc and trouble galore. Maybe Ai Ai can join the Orange Sour, "the most controversial and wild of the species," on some of its adventures, which are documented at Sour Sighting.

All card designs by Rachel Ortas

Sunday, July 22, 2007

LDN: Borough Market, Spamalot, Tate Modern

Taking advantage of M*'s classwork-free weekends now that he is just a working man—for the moment, I'm going to pretend that the final 12,000 word paper doesn't exist—we headed down for a full-day in London on Saturday. We considered splurging on a hotel (yeah! he's getting paid real money for his internship), but decided to spend the money on tickets to see Monty Python's "Spamalot." I'm not a fan of musicals, but M* is a serious fan of Monty Python. Luckily Francis, a classmate who shares M*'s encyclopedic knowledge of MP episodes, was able to meet up with us for the matinee. What did we think? Well, even though it was done in self-aware, mocking tones, the diva numbers were overkill and boring to both of us. Did I mention that I'm not a fan of musicals? We did enjoy the experience, and Act II was more of what we expected versus the first one.

M* humoring me with this shot
Bad shot of "Spamalot" audience members who arrived in costume

Before the matinee, we headed down to the Borough Market, which I've been wanting to visit since December. Fresh fish, a stall that only sells butter, multiple cheese, sausage, bakery and desert stalls, a plethora of freshly dried herbs, wines, coffee, and fresh parma ham and buffalo mozzarella from Italy—it was a feast for the eyes and appetite and wallet. Since we weren't heading back to Cambridge until late in the evening and, since we eschew the tube and walk whenever possible, we could only carry so much, we limited our purchases to a few, easily transportable items (sausage, salami, olive oil, and a brownie and gluten-free cookies for intermission). Luckily the rain didn't start until after we ate our lunch on the grounds of Southwark Cathedral, which adjoins the market and has housed a church on its grounds for over 1,000 years.
It pained me not to be able to bring home this delicate, melt-in-your-mouth mozzarella di bufalo.

The butter stall
M* eyeing-up the fish display
One of many sweets stalls
Sadly, none of these quiches were gluten-free, but ...
Notice the Wheat Free Option (hold the pita, serve with spork) from Damas Falafel, where we bought lunch
I was hoping this self-portrait would show the cathedral, but only a glimpse of the stone appears

After the matinee, we retraced our steps from the Palace Theatre in the West End back to the South Bank to visit the Tate Modern. M* had never been and I only had a vague memory from my first, illness-plagued trip to LDN. While we were interested in the ticketed Dali exhibit, we decided to do the museum on the cheap and stick to permanent collection. We weren't disappointed, and we would have been too tired to see all the exhibits in one day. We were both pleased with the Global Cities free exhibit, dealing with present and future issues in 10 urban centers, but there was quite a lot of text to contend with. We wouldn't mind getting back there for the Dali and the Hélio Oiticica exhibits. I had never heard of Hélio, a 20th century Brazilian artist, before, but I was captivated by the warm, rich colors showcased in the exhibition catalogue.